PETE BOY

Pete got into his first bands as a teenager in late 70's . He went through the late 70's rockabilly craze that got the whole Finland ( well, almost) boppin' and shakin' like there was no end! But the end for that phenomenom came sooner than you could think and in the early eighties rockabilly went underground. At that time Pete had formed a band called Butterfingers with his mate Tommy T., who played drums in all of Pete's bands to come.

Butterfingers played a mixture of Gene Vincent and Johnny Burnette material and their own songs followed in that same direction. Butterfingers released a couple of EP's and worked also as a backing band for other artists until the late eighties.
Pete's next band was formed in '88 and it was called Pete Boy and the Virginia Gang . The musical style was still the same and it was only showing signs of far deeper dedication to Gene Vincent's musical heritage. Pete's crusade in the musical world of this particular crippled rock'n'roll legend reached it's peak with a line-up that had a full horn section, piano and clapper boys for that late fifties Blue Caps sound! In ´'90-'93 the lineup was back to 4-piece and it worked under a name Pete Boy's Party. Pete Boy's Party released a live recording in -93. The band split soon after that and the rest of the nineties Pete worked as a solo musician and studio engineer. In 2003 he got together with Chris and Jay and with Tommy T. in drums they started a band that got named T-BIRD GANG! At this point of the story it's probably obvious who became their main influence...

HEROES:Gene Vincent, Johnny Burnette and Eddie Cochran.
MOST IMPORTANT RECORD:Gene Vincent :Rocks and The Blue Caps Roll.

Other notable records that have left their mark on Pete are:

- Johnny Burnette Rock'n roll trio
- Dave Phillips and The Hot Rod Gang:Wild youth
- Stargazers: Watch this space
- Tommy Steele: Story
- Elvis: Sun collection

Pete's gear on stage consists of Levin royal jazz guitar (012 stringset) and Beyerdynamic Opus 69 vocal microphone.


C H R I S

Chris started his musical career at the age of 6 when he started taking piano lessons.
As a teenager he started collecting records, picked up a stand up bass and formed a rockabilly band in 1983. His first bands played mostly what you could call as rock’n’roll / rockabilly standards, songs like Twenty Flight Rock, Rockin’ Daddy etc. main influences being SUN artists, Bill Haley and Eddie Cochran. That lasted a couple of years and between 1985 – 1990 Chris played rhythm guitar, took lead vocals and wrote songs in a band called Daisy Chain. That was more like sixties stuff with a hint of then popular sleaze / street rock.
Nothing lasts forever and in 1991 it was time to pick up the bass again. This time Chris was looking for more modern rockabilly sound with a band called Space Bandits. The band took influences from British neo-rockabilly veterans like Restless, Polecats and Deltas. Chris wrote a lot of original material, Space Bandits visited studio four times recording total of 14 tracks but nothing was ever released.

Between 1994 – 2000 Chris played bass and sang backing vocals in various groups ( incl. Bull’s Eye, Bop Cats, Rock-Ola, ) and then came the Hoedowners.
The Hoedowners recorded a mini CD on Goofin’ Records, did many good gigs, the most memorable being Hemsby Rock’n’Roll Weekender in spring 2002. Somehow, the singer of the band got enough for gigging and moved to the other side of Finland and that was it this time.
Chris and Jay, who was the guitarist in the Hoedowners, started looking for a new singer and that’s where Pete came in the picture. Hoedowners was a drumless rockabilly trio and that wasn’t Pete’s cup of tea. He came up with an idea of adding a drummer, Tommy T., and with a stronger sound the band needed a new name as well as a new setlist, too.

In the summer of 2003 T-Bird Gang was born…

Chris's biggest influences are Ray Brown, Eddie Cochran, Bill Haley and his Comets, Gene Vincent and The Blue Caps, Dave Phillips and The Blue Cats.
The top three LP’s are Gene Vincent: And The Blue Caps, Bill Haley: Armchair Rock’n’Roll and Dave Phillips and The Hot Rod Gang: Wild Youth.

Other important LP’s are:
- Mystery Train: Teach You to Rock ( The best Finnish r’n’r band in the 1980’s )
- Stargazers: Watch This Space
- Blue Cats: The Tunnel
- Big Sandy and The Fly-Rite Trio: On The Go
- Oscar Peterson Trio: Night Train

Chris has two stand up basses; a blond for photo sessions and jazzier playing
( steel strings ) and a brunette for pub gigs and slappin’ with Rotosound monel / nylon strings. With his bass he uses Barcus Berry 3150 microphone and Hartke and EBS amps with 1 x 15” speaker.




J A Y

Jay Saine started his musical study playing classical guitar while he was 12 years old. But his practising got more determined at the age of 15, when he switched to electric guitar and started to emulate Eric Clapton, Jeff Beck, Jimmy Page and the like.

After experimenting various styles of rock music in different bands during the 90´s he wanted to dig deeper into the core and history of electric guitar playing, and since then he has been musically digesting early electric blues, 50´s rock n´ roll plus rockabilly and 60´s instro music, for example.

Some of his biggest influences are: Cliff Gallup, Grady Martin, Carl Perkins, Eddie Cochran, Chuck Berry, Freddie King, Elmore James, Hank B. Marvin..

Besides T-Bird Gang, Jay plays/has played in such bands as: The Sleepwalkers, Hoedowners, The Stumble..

Currently Jay is using Gretsch Thinline Synchromatic semi-solid guitar, Fender ´59 Bassman amplifier (reissue) and Ibanez echo pedal..



S A M

Samu a.k.a "Sam Bang" started drumming in the 6th grade and continued his musical studies in Sibelius high school. After getting out of high school Samu entered Pop & Jazz Conservatory of Helsinki and graduated in 2006 to become a professional musician. During the years he has played in various bands and musical situations ranging from jazz, fusion and blues to pop and rock.

Samu is into every kind of music that swings and makes people feel good. He also believes that performance is a vital part of playing music.

Samu plays a 1967 Ludwig snare and paper thin Avedis Zildjian cymbals from the 50s through 70s.